After my talk at the funeral, I was interviewed by Manchester Mule (click for the full article). This is an exerpt:
Louise Woodcock, a local artist speaking at the event, said to MULE that the cuts show that the government “doesn’t value art, and are just focusing on things that make money, rather than things that might be meaningful and valuable in other ways.
“We need more meaningful activities and more meaningful forms of communication to make sense of the world, especially when things are difficult – art is how we do that, so at a time like this it’s an essential thing to have in our lives.”
Rosanne Robertson, organiser of the Manchester Artists Bonfire, said the purpose of the event had been partly to bring together artists and other groups of people fighting against the cuts, saying that their concerns “all tie into the same thing: we’re not happy with the way things are and we need an orchestrated response.”
My talk focused on broad ideas about funding for the arts. I discussed the Coalition proposition that we are to accept that the arts should be one of the first things to be cut and that we all have to tighten our belts in this time of recession. I discussed the fact that we are being asked to believe that it’s our responsibility, the people on the street, to make sacrifices to help the ruined economy, not the people who caused the damage. I discussed how the Roosevelt government during the Great Depression in the US during the 1930’s poured money into the arts and other public services. I talked about how the American art establishment and economy is still reaping the benefits of movements like Abstract Expressionism which could not have thrived without early support from the ‘New Deal‘ strategy. I discussed the fact that Orson Welles Macbeth, featuring black actors in lead roles from Harlem would not have happened. I discussed the need for art in our lives especially at a time when we have little resources and feel an urgent need to communicate and to express ourselves, to make sense of the world.
Rosanne Robertson’s talk focused more on the local issues around the cuts especially to the Greenroom and the Castlefield Gallery who are both about to lose all their arts council funding. Rosanne also discussed the need we have for art in a broad sense as well as locally.
Womb performed after Rosanne and I spoke. We used Indian Singing Bowls, used the coffins as percussion and wailed. This was Rosannes first performance with us. Rosanne played the stylaphone. The mood felt sombre but celebratory. There was a definite feeling of positivity, of not of giving up. Someone joined in on a trumpet playing the Funeral March and people clapped along with us.